 Saturday, July 4 posted on 5:14 PM, March 11, 2026 |
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- Love and storytelling: exploring the vocal legacy of Alan Louis Smith. Presented by Jessica Ferring Glenn, Elvia Puccinelli, and Kathleen Roland-Silverstein
- Songs By Her: Revealing the Songs by Women of Tin Pan Alley
Presented by Tish Oney and Jennifer Piazza-Pick
- Musical Stories Reimagined: Art Songs from India. Presented by Sandra Oberoi and Aditya Sharma
- More Than Performance: Crafting Purpose-Driven Musical Collaborations. Presented by Emily Martin
- A United Voice: Unifying SOVTEs Across Genres, Cultures, and Pedagogical Practice. Presented by Natalie Sheppard and Lori Sonnenberg
- Inspiring a Spark of Imagination: An Examination of Poet and Composer Alan Louis Smith's Vocal Chamber Song Cycle For Soprano, Cello, and Piano To The Muse. Presented by Jessica Glenn and Kate Stevens
- Korean Vocal Tapestry. Presented by Won Cho and Kyoung Cho
- Innovation in Art Song: John Harbison's Mirabai Songs dramatized using Indian Dance. Presented by Susan Gouthro and Kaustavi Sarkar
- From Shuffle Along to Hell’s Kitchen: The History and Vocal Styles of Black American Musical Theatre. Presented by Melissa Foster and Edrie Means Weekly
- A Great Cloud of Witnesses: A Song Cycle Celebrating the Contributions of Black Americans to Music and the Resilience of the Black Family Unit Beyond Trauma. Presented by Lauren Wright-Harris and Jarrett Roseborough
- From One-on-One to Everyone: Building a Sustainable Voice Studio Through Scalable Online Teaching. Presented by Nick Klein, Rebecca Pieper, and Kelly Scott
- The Tongue, Tongue-Tie, And The Body That Sings: Self-Assess And Optimize Tongue Function, Breath, And Posture. Presented by Alison Wu
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Sunday, July 5 posted on 5:12 PM, March 11, 2026 |
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- A Most Colorful Mosaic: Fusing Classical Pedagogy with Mariachi Tradition. Presented by Michael Acevedo, Osvaldo Chacon, Jourdan Howell, Crystal Jarrell Johnson, and Taytum Rangel
- The Art of the American Negro Spiritual: A Performance Workshop. Presented by Marcía Porter, Alexis Davis-Hazell, Rosalyn Wright Floyd, and Barbara Hill-Moore
- From Cover Letter to Classroom: Crafting Your Voice Job Search in 2026. Presented by Nicholas Perna, Yvonne Gonzalez Redman, and Randall Umstead
- The Flow to Resonance Continuum: Strategies for Coordinating Breath and Resonance Efficiency for All Genres. Presented by Kevin Wilson and Autumn West
- Supporting Students Facing Voice Impairment in the Voice Studio. Presented by Emily Siar and Anne Slovin
- Preparing for Pop/Rock Musical Theatre Auditions. Presented by Matt Edwards and Jackie Edwards
- Discover Korean Cuisine in Korean Art Song. Presented by Josephine YoonGeong Lee and Laehyung Woo
- We Go On, Oswego. Presented by Katie Hannigan, Jessica Ann Best, Ian Greenlaw, Valerie Trujillo, and Kimberly Upcraft
- Keep it SHORT, Sweetie. The Power of Short Art Songs in the Studio and Audition Suite. Presented by Natalie Arduino and Casey Carter
- Tools for Working with Transgender and Non-Binary Singers. Presented by Sasha Divain
- The Afro-Classical Voice: A Journey through the Art Music of the African Diaspora. Presented by Melissa Davis and Sun Hee Kim
- Press Record: Using Self-Recording to Build Confidence, Reduce Anxiety, and Strengthen Self-Assessment. Presented by Melissa Treinkman
- Pictures at a Gender[*] Exhibition: A Mosaic of Musical Theater Vignettes about Gender [Non-Conformity]. Presented by Christopher Cayari
- Suffrage, Song, and Sass: Ethel Smyth - Three Songs (1913). Presented by Lesley Friend and Mirim Kim
- Echoes from El Barrio: The Chicana Art Song Project and the Legacy of Cultural Memory. Presented by Noel Archambeault
- Special Acts of Breathing: Visualizing Interactive Aspects of Respiration for Singing with RespTrack. Presented by Kayla Gautereaux and Ian Howell
- Physical Touch in the Voice Studio; An IRB-Approved Study of Experienced Touch in a Voice Lesson from the Perspective of the Singer. Presented by Maria Maxfield
- Listening Beyond the Binary: Gender Perception, Identity, and Affirmation in the Musical Theater Voice Studio. Presented by Jessye DeSilva, Kayla Gautereaux, and Rachel Klippel
- She Se Puede: Latina Composers in Recital. Presented by Lily Guerrero and James Maverick
- Why Bother with Acoustic Vocal Pedagogy. Presented by Kenneth Bozeman
- The Singing Voice Rehabilitation Specialist (SVRS): Distinct Pathways, Complementary Expertise, and Collaborative Care. Presented by Kari Ragan and Marci Rosenberg
- Finding Your Jazz Voice: Cross-Training Classical Singers with Estill Voice Training. Presented by Lara Brooks
- I’m Gonna Let It Shine: A Performance Presentation of Art Songs for Tenor By Black Composers. Presented by Johnnie Felder
- Democracy in Voice Studies. Presented by Sarah Neely, John Nix, and Paul Patinka
- We Sing What We Hear: Uniting Audiology and Vocology. Presented by Jeannette LoVetri
- The Hungarian Voices of Dohnányi and Bartók in America. Presented by Aubrey Chapin, Yu-Hsin Teng and Mackenzie Heaney
- Reimagining Classical Music: Interdisciplinary Programs that Engage Communities and Social Issues. Presented by Nicole Asel and John Lindsey
- Enhancing Equity and Easing Anxiety: Considering the Performance Environment. Presented by Yvonne Gonzales Redman and Carly Wingfield
- Beyond the Standards, Part 1 - Identifying Progressive Repertoire for Musical Theatre Singers. Presented by Craig Allen and Carrie Greer
- Teatro Latino: Musicals and Plays that Reflect Our Culture. Presented by Melodee Fernandez
- Unifying Voices: Faculty Learning Communities in Vocal Music Education. Presented by Matthew Giallongo and William Sauerland
- Where Sound Meets Touch: A Study on Vibrotactile Perception in the Singing Voice. Presented by Chadley Ballantyne, Eloisy Goncalves, and Ian Howell
- The Singers Recovery Journey: A Collaborative Framework for Multidisciplinary Care. Presented by Lori Sonnenberg
- What Should I Sing?? Achieving Technical Goals Through Self-Selected Repertoire for Undergraduate Students Singing Music Theatre. Presented by Meredith Eib and Shane Tapley
- Islas Resonantes: Interwoven Vocal Traditions of the Caribbean and Beyond. Presented by Megan Barrera and Zuly Inirio
- Emma Seiler: An Old and New Look at Soprano Formant Tuning. Presented by David Meyer
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Monday, July 6 posted on 5:05 PM, March 11, 2026 |
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- From Fight-or-Flight to Flow: A Polyvagal Lens on Singing and Teaching to Enhance Learning Through Nervous System Regulation. Presented by Cecilia Duarte, Kimberly Monzón, and Sooah Park
- You Can Improvise! A Practical Guide to Multi-Genre Vocal Improvisation. Presented by Tish Oney and Patrice Pastore
- A Century of Lithuanian Art Songs. Presented by San-ky Kim
- Congratulations or Condolences? Pursuing a Career in Arts Administration. Presented by Jason Lester
- The Feedback Loop: Tuning Vocal Pedagogy with Peer Review. Presented by Chadley Ballantyne, Allen Henderson, John Nix, Nicholas Perna, and Yvonne Gonzales Redman
- Diversifying the Art Song Canon: Latin American Composers Everyone Should Know. Presented by Jessica Posada and Kayla Liechty
- A Conversation with the American Academy of Teachers of Singing (AATS). Presented by Donald Simonson, Chair and gathered members of the Academy
- Techniques and Tools for Promoting Consent-Based Culture in the Classroom and Performance. Presented by Grace Edgar
- Picking the Perfect Pop Song: Contemporary Repertoire for the Musical Theater Audition Room. Presented by Noel Smith
- I Hunger Yet I Shall Be Fed: Autonomy and Awe in Selected Solo Vocal Literature of Florence Price. Presented by Lisa Williamson and Khyle B. Wooten
- Recital Glow-Ups: Bridging Tradition and Transformation. Presented by Casey Joiner-Isaacs and Will Perkins
- JOS Forum: A Guide to Academic Publishing. Presented by Matthew Hoch, Brian Manternach, John Nix, and Elvia Puccinelli
- Singing as Ourselves: Dialogue and Strategies for Reimagining Identity in Musical Selection. Presented by Paul Patinka and Zipporah Peddle
- Testing… One, Two, Three: How Three Colleges are Rethinking Voice Training for the Contemporary Artist. Presented by Warren Freeman and Marita Stryker
- Resounding Voices: Women Composers featured in the November 1918 Women’s Edition of The Etude. Presented by Sarah VandenBrink and Christina Giuca Krause
- Who’s Qualified to Teach? A Historical Examination of Professional Efforts to Certify and License Singing Teachers. Presented by Amelia Rollings Bigler and Edward Reisert
- Hormonal Seasons and the Singing Voice: Expanding the Conversation. Presented by Joanne Bozeman, Nancy Bos, and David Sabella
- Modern Mythologies: Contemporary Art Songs by Danaë Xanthe Vlasse and Sarah Hutchings. Presented by Mitchell Hutchings and Donna Loewy
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