So You Want to CCM (Contemporary Commercial Music): A Guide for Performers
ONLINE RESOURCES
Chapter 5 Chapters 6-10 Chapters 11-15 Chapters 16-20
Chapter 1 – CCM Pedagogy: The Pioneering Generation (Matthew Hoch)
Chapter 2 – CCM versus Music Theater: A Comparison (Matthew Edwards)
Chapter 3 – Singing and Voice Science (Scott McCoy)
Chapter 4 – Vocal Health and the CCM Singer (Wendy LeBorgne)
Chapter 5 – Using Audio Enhancement Technology (Matthew Edwards)
Equipment Manufacturers:
Recommended Equipment:
Comparisons of Singers (on and off mic):
Tutorials:
Trade Publications:
Chapter 6 – Katie Agresta (New York, New York)
Chapter 7 – Irene Bartlett (Brisbane, Australia)
Chapter 8 – Robert Edwin (Philadelphia, Pennsylvania)
Chapter 9 – Elizabeth Howard (Chicago, Illinois)
Chapter 10 – Joan Lader (New York, New York)
Chapter 11 – Jeannette LoVetri (New York, New York)
Chapter 12 – Mark Meylan (London, United Kingdom)
Chapter 13 – Lisa Popeil (Los Angeles, California)
Chapter 14 – David Sabella (New York, New York)
Chapter 15 – Cathrine Sadolin (Copenhagen, Denmark)
Chapter 16 – Mary Saunders-Barton (State College, Pennsylvania)
Chapter 17 – Daniel Zangger-Borch (Stockholm, Sweden)
Chapter 18 – Effortless Singing: SLS™ and Its Influence (Darren Wicks)
Chapter 19 – Why It’s Time to Add CCM to Your Studio (Matthew Edwards)
Chapter 20 – The Future of CCM Pedagogy (Matthew Hoch)
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