Leslie Flanagan

Style: Opera; Classical; Musical Theatre

Title: Assistant Professor/The University of Oklahoma

Bio:

Australian baritone Leslie John Flanagan has performed leading roles throughout Australia, Europe and the USA, including performances at the Sydney Opera House, in London at English National Opera’s Coliseum, the Royal Opera House Covent Garden, the Royal Albert Hall, Wigmore Hall, the Janacek Theatre in Brno and at the Edinburgh Festival. Recent operatic performances include Mitrovsky in the première of Twice Upon a Birthday for The Metropolitan Opera Guild, and Guglielmo (Cosi fan tutte) with Southern Plains Opera. Dr. Flanagan earned the bachelor’s degree in music from the Queensland Conservatorium in Brisbane, Australia, and the master’s degree in opera performance from the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Music) in Glasgow, Scotland. Upon completion of his master’s studies, he became an inaugural member of English National Opera’s prestigious Jerwood Young Singer’s Programme in London.

Roles with English National Opera, included Rossini’s Figaro, Guglielmo Cosi fan tutte, Schaunard La Boheme, Morales Carmen, Barney in the world première of Mark Anthony Turnage’s The Silver Tassie alongside Gerald Finley, Donner Das Rheingold, and Ned Keene Peter Grimes. Other credits included Guglielmo in Paris, Escamillo Carmen for the Longbourough Festival Opera, Silvio Pagliacci for Haddo House Opera, the title role in Don Giovanni (Edinburgh Festival), Smirnov The Bear, and Demetrius A Midsummer Night’s Dream, Papageno The Magic Flute in Australia and Carmen and Dead Man Walking with the Fort Worth Opera. Dr. Flanagan is the recipient of numerous awards, including the Australian Singing Competition’s Royal Conservatory of Scotland Award, the Sir Alexander Gibson Memorial Scholarship, the Texaco International Opera Prize, the Shreveport Singer of the Year Competition Delbert Chumley Award, and the Benton-Schmidt Competition; he was a Semi-Finalist in the Kathleen Ferrier Awards, Quarter-Finalist in the Montreal International Singing Competition, representing Australia and the audience prizewinner and first runner-up in the Birmingham Opera Competition.

Concert engagements include Bach’s St. Matthew Passion, Mendelssohn’s Elijah with the Canterbury Choral Society and the Oklahoma City Philharmonic, Carmina Burana with Sir David Willcocks at the Royal Albert Hall, London, Mahler’s Lieder eines fahrenden Gesellen with the Birmingham Philharmonic Orchestra, Britten’s War Requiem at the Bratislava and Brno International Music Festivals, a concert performance of Prokofiev’s War and Peace at the BBC Proms, and a recital of German Lieder with pianist Wolfram Rieger at London’s Wigmore Hall. He has worked with many of opera’s and classical music’s leading conductors, accompanists and directors, including Sir Charles Mackerras, Edward Gardner, Paul Daniel OBE, David Parry OBE, Graham Johnson, Sir Jonathan Miller, Keith Warner, Deborah Warner, David Freeman and Spanish director Calixto Bieto.

Dr. Flanagan’s professional recording credits include the First Apprentice on Chandos’ recording of Wozzeck, Barney in ENO’S live world premiere recording of The Silver Tassie, also available on DVD from the BBC, Bach’s St. John Passion with the BBC, and on Roger Webster’s Travels with my Trumpet with English soprano Janis Kelly.

Dr. Flanagan’s students have performed at opera houses throughout the United States, including the Santa Fe Opera, Washington National Opera, and Houston Grand Opera. Current and former students have also been accepted to young artist and postgraduate level programs, including the Cafritz Young Artist program at Washington National Opera, the young artist studio at Opera Colorado, the Royal Northern College of Music in Manchester, UK, the Royal Conservatoire of Scotland, and the Mannes School of Music in NYC, among others. His students have won awards at national and international competitions, including NATS, the International Mediterranean Music Competition and the Metropolitan Opera National Council Auditions. Dr. Flanagan continues his active national and international singing career while teaching and conducting masterclasses throughout the USA, UK, and in his native Australia.

Voice Type: Baritone

Music Styles Taught: Opera; Classical; Musical Theatre

Availability: I am available as a performer; I have a wait-list for private lessons; I am currently accepting private students; I am available as a clinician or presenter; I offer lessons in a group environment; I accept students through a college or university program

Contact Information

Associated with Sarah Flanagan.